Between media staging and subjective experience. Ecstasy from a social science perspective

  • Renate-Berenike Schmidt
  • Michael Schetsche
Keywords: ecstasy, non-ordinary states of consciousness, art, cultural history, the modern age

Abstract

Our paper investigates the non-ordinary state of consciousness ‘ecstasy’ from a social science perspective. First, two different scientific perceptions are juxtaposed: The thesis of a broad distribution of this state of consciousness in modern society and the counter thesis of ecstasy as a cultural disruptive factor. Only a more detailed categorical definition and the distinction from other non-ordinary states of consciousness can create clarity here: The mass media use of the term has to be distinguished from a scientific understanding. This makes it possible to reconstruct the significance of ecstasy for modern society in three steps: (a) the difference between experienced and performed ecstasy, (b) culturally legitimate and illegitimate forms, and (c) the return of the banned in simulative form. The article closes with a list of questions to be explored in the future on the role of ecstasy in modern culture.

Author Biographies

Renate-Berenike Schmidt

PD Dr. phil., educationalist and socialisation researcher; works as a freelance science writer. Main areas of work: Sex education, socialisation research, educational ethics, cultural history. Recent book publication: Gelebte Geschichte der Sexualpädagogik (together with Uwe Sielert and Anja Henningsen). Weinheim: Beltz Juventa 2017.

Michael Schetsche

Dr. rer. pol., sociology and political scientist, Apl. Prof. at the Institute for Sociology of the Albert-Ludwigs-University and research coordinator at the IGPP Freiburg. Main areas of work: Sociology of knowledge and media, cultural and social anthropology, reflexive anomalistics, exosociology. Current book publication: Panorama of the Invisible. Contributions to a sociology of knowledge of the hidden. Berlin: Logos Verlag 2019.

Published
2019-07-29